PONYO Review

After a long delay between October and February, Ponyo has finally been released in the UK! And I highly recommend that any fans of animated films, Studio Ghibli or just films in general should definitely go see it.

When I originally heard about this film, I read that it was going to be a Miyazaki film aimed at young children, and while this is still true, it is still highly entertaining for any age. And I think this is what separates his films from that of Disney. While Princess and the Frog was a great piece, at times it may lose the attention of older audiences by including slapstick and immature characters and sidekicks to supposedly comedic effect.

Miyazaki however, does not rely on cheap comedy to appeal to youngsters. Instead, he delivers a totally heartwarming film with believable characters and the usual stunning visuals and music that is appropriate for the kiddies and certainly a joy to watch myself.

 

Sadly I missed the first few minutes (due to traffic in Cardiff) but I shall try to summarise the beginning. Ponyo is the story of a young boy, Sosuke, who stumbles across a tiny mermaid near his seaside home. He rescues her from her glass bottle prison and keeps 'Ponyo' in a green bucket. Slowly the girl's magic powers allow her to communicate with Sosuke and they form a friendship.

When Ponyo is captured back by her father (dubbed by the amazing Liam Neeson) she expresses the desire to become human and uses her magic to sprout legs and arms. She flees her father's underwater home now as a little girl on a wave of huge fish formed by her sisters to find Sosuke again.

The story takes a turn when their town is flooded by a huge storm and Sosuke and Ponyo leave to search for Sosuke's mother and keep Ponyo from turning into sea foam along the way! I love this little boat by the way!

The animation in Ponyo is typical Studio Ghibli class, consistently high quality the whole way through. But what particularly stands out in this film in the rendering of the water, which is practically a whole character by itself. That is how important water is here. It's the barrier between the water folk and humans, it is their livelihood and it physically separates the characters half way through the film. There is also a lot of it.

The water is animated in such a fluid and nearly tangible way. And everything in the shots move! Whether it's a foreground or background element. Sometimes even backdrops are animated. In an early short Sosuke in on a hill by his home and the pencil background has animated grass in the same pencil medium, which looks a lot more impressive than animating basic cell grass on top of the background.

There's so much going on in each shot, whether it's all of Ponyo's sisters, water effects, bubbles, swimming fish or tiny details in the background, so much has been painstakingly drawn to create hundreds of perfectly cinematic shots. Some of the shot composition causes you to wonder how it was even accomplished it can be so complicated. It's a very impressive sight that will probably leave your mouth wide open in awe if you are an animator like me!

Generally I find it difficult to fault Ghibli films anyway, but after Tales of Earthsea it is a relief to see one as good as Howl's Moving Castle. The dub was also very good standard. I would like to try the Japanese audio when the DVD comes out, but Liam Neeson was so good as Ponyo's father Fujimoto it will be difficult to switch the audio over!

All in all, a truly fantastic film that is worth watching at the cinema if you've never seen a Ghibli film on the big screen before! A deserving 9/10!